I have been reflecting on how we actually understand form when making models.
It seems that what we do is not simply copying shapes from drawings or photographs, but interpreting and constructing them in our minds.
In that sense, "seeing" a form may be quite different from just looking at it.
I've started writing a short series exploring this idea, focusing on solid model aircraft and the process of shaping form through making.
I will continue posting each piece in my board here:
https://smm.solidmodelmemories.net/SMF/index.php?board=60.0
Here is the first article:
https://medium.com/@solidmodelarchive/why-build-aircraft-from-wood-5f182b68ab51
I would be very interested to hear how others approach this.
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Kenji
I Like what I see as you begin your journey. Please keep us updated on new content as I follow with great interest.
When solid modeling, as I plan the model in my mind I remind myself I am not building a replica or miniature but a model. The model triggers thoughts in the mind of the observer of the subject presented. It is just like painting where color and brush strokes make the observer see the image the artist imagines. With solid models it is the model construction and paint. Everything is not presented but the model can still stimulate the observer's mind to see the subject.
I also like to build very strong models so the observer, especially children, can hold the model in their hands and observe in detail from many angles and lighting conditions.
Ken
Thank you very much for your thoughtful comment.
I find your distinction very important — that we are not building a replica, but a model.
What you describe, that the model "triggers thoughts in the mind of the observer," resonates strongly with what I have been trying to express.
In that sense, the form is not fully contained in the object itself, but completed in the perception of the observer.
This seems very close to your comparison with painting — where what is presented is partial, yet sufficient to evoke a complete image.
I also find your point about handling especially meaningful.
A solid model is not only something to look at, but something to experience physically — through touch, changing viewpoints, and light.
This adds another dimension to how form is understood.
Thank you again — your perspective helps clarify what I have been exploring.
Kenji